African-Americans and Oscars did not exactly go hand in hand. Before the turn of the century, out of sixteen overall nominations, only one African-American had ever been awarded the Academy’s highest acting award. Sidney Poiter took it home in 1963 for Lillies Of The Field. However, when the 74th Academy Awards rolled around in 2001, blacks remained hopeful. For the first time ever, between Best Actor and Best Actress, three blacks were nominated and everyone was sure either Denzel Washington, Halle Berry, or Will Smith would be leaving with a statuette. Not only did we get one, but we got two. Denzel Washington won Best Actor for his role in Training Day and Halle Berry became the first black Best Actress winner for her role in Monster’s Ball. The wins grouped with the Sidney Poiter’s Lifetime Achievement Award had people dubbing the show The Bloscars. In an odd turn of events, after Halle’s win, Lee Daneils also became the first black to solely produce an Academy Award winning film. Also, Washington became the first black actor to win two Oscars, having won Best Supporting previously for his role in Glory.
CONTROVERSY: With so many firsts, many felt Hollywood was sending a clear signal about racial equality in America, however the night was not without controversy.
Halle’s and Denzel’s wins were dubbed bittersweet for African-Americans. It was great they broke the glass ceiling, but their respective roles did little to break old racial stereotypes. Washington, known for playing acceptable, heroic roles, was also nominated for playing Malcolm X in Spike Lee’s epic, and Rubin Carter in The Hurricane. However, he finally won for playing a dangerous, crooked cop.
Berry’s win was an even worse firestorm. Berry's role was the wife of a criminal, used sex to solace herself after her husband’s execution, and was a mother of questionable competence (her mordibly obese son ends up dying too). Berry also had an intense, graphic, and nude sex scene with a white racist in Billy Bob Thorton. With Berry being mulatto, the scene brought up past racial stereotypes as mulattos being oversexualized. Black women had been snubbed for decades, and the big win finally came for portraying a black woman with animalistic qualities.
Even Angela Bassett had harsh words about the role (in which she was previously offered):
"I wasn't going to be a prostitute on film. I couldn't do that because it's such a stereotype about black women and sexuality. Film is forever. It's about putting something out there you can be proud of 10 years later. I mean, Meryl Streep won Oscars without all that."
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Ranking System
5 Stars = Not only a great film but spoke to me in an emotional way.
4 Stars = Good film that reaches exceptional status.
3 Stars = By no means a bad film, adequate or okay.
2 Stars =Close to being up to par, but slighlty missteps.
1 Star = Bad film missing the mark completely.
5 Black Fists = Uplifts or abolishes common misconceptions of blacks. 4 Black Fists = Positive portrayals of blacks, challenging or questioning stereotypes. 3 Black Fists = Adequate portrayal of blacks or black issues. 2 Black Fists = Poor depiction of blacks often relying on stereotypes. 1 Black Fists = Poor depiction of black soley relying on stereotypes. 0 Black Fists = Universe with no black people.
The Perfect Find
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Enjoy these first look photos of Numa Perrier's *The Perfect Find* starring
Gabrielle Union and Keith Powers.
After a high-profile firing, Jenna's fashi...
Sundance Winner and Lee Daniels Film based on the novel by Sapphire about an abused teenage girl living in Harlem. Stars Monique, Paula Patton, Lenny Kravitz, and Mariah Carey.
Funny People
Has Judd Apatow finally reached the pinnacle of his potential?
Medicine for Melancholy
A love story of bikes and one-night stands told through two African-American twenty-somethings dealing with issues of class, identity, and the evolving conundrum of being a minority in rapidly gentrifying San Francisco—a city with the smallest proportional black population of any other major American city.
The Princess & The Frog
Disney's First Animation to star African-American Characters & set in New Orleans, starring Oprah Winfrey and Dreamgirl's Anika Noni Rose
Invictus
A biopic about Nelson Mandela. Can Clint Eastwood & Morgan Freeman do it again?
Inglourious Basterds
Quentin Tarantino remake of the 1974 WW2 flick starring Brad Pitt, Mike Myers, Office's B.J. Novak, & Eli Roth
The Nine
An adapted Tony Award-winning musical about a film director and all the competing women in his life. Starring Seven Oscar Nominees/Winners (Daniel Day-Lewis, Nicole Kidman, Kate Hudson, Penelope Cruz, Marion Cotillard, Sophia Loren, Judi Dench) and Fergie
Julia & Julia
Can Amy Adams & Meryl Streep do it again? More important can writer Nora Ephron bring it with her first romantic comedy in over a decade?
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