No, he's not of the offspring of the Albert from The Color Purple, a.k.a. Danny Glover. At least, I don't think he is. That would just be way to convenient.
Danny Glover is an upcoming comedian that's been on the radar from many in Hollywood. The guy's various projects have earned him a small cult-like following, however its only a matter of time before he explodes into the mainstream.
His most widely known project is the crtically-acclaimed series, 30 Rock. He's one of the staff writers working alongside Tina Fey from which he earned a WGA nomination for best comedy in 2009. He also co-stars on an episode from time to time. He'll also be starring in the new NBC series, Community this fall.
He was discovered while performing in a sketch comedy group known as Derrick Comedy. Derrick Comedy's youtube sketches have gained national attention.
In 2008, he wrote and co-starred in a Derrick Comedy film known as Mystery Team about three naive high school kids who try and solve a double homicide. The film premiered earlier this year at Sundance and will be released this fall.
THE BLACK PERSPECTIVE:
Donald Glover has a different type of comedy than let's say Dave Chappele or Chris Tucker or even Chris Rock. The more varying styles that blacks bring to any artform is progressive, since blacks tend to often get categorized or stereotyped into one form. I think its safe to say that won't be Donald Glover. Hollywood also needs more black TV writers. I heard a startling statistic the other day that 90% of TV writers are white, which means almost all minority portrayal on TV are being controlled by white writers with very little minority influence. Hence why they often turn out the way they do. Anytime a black writer breakthrough the field is a win for all of us.
Superhero movies have finally grow up. This is what critics roared after The Dark Knight premiered. Christopher Nolan (Memento) helms this sequel after successfully restarting the Batman franchise with Batman Begins. The Joker (Heath Ledger) is on a crusade to bring high crime back to Gotham. Thus opposing Batman (Christian Bale) and District Attorney Harvey Dent (Aaron Eckhart) dubbed "The White Knight" for his public image of the relentless pursuit of justice. Bruce Wayne's ex-flame Rachel Dawes (Maggie Gyllenhaal) is engaged to Dent. Joker savagely gets to her, turning Dent into the disfigured vigilante Two-Face and endangering the public's hope in saving Gotham.
So much has already been said about The Dark Knight. In my attempt not to repeat anything, let me get these out of the way.
1) Yes, Heath Ledger was brilliant as the Joker.
2) No, it's not a perfect film. It has many flaws in both story and direction.
3) It probably did deserve a Big Picture Nomination, but it my humble opinion, did not deserve the top prize.
Got that out of the way. Now onto the new stuff:
I believe the single reason for The Dark Knight's huge success is it's clever crafting of the story. Most superhero films deal with the plight of our protagonists having to save the world, dealing with the huge pressure of saving lives and living their own, or some rational revenge trip and getting over a personal conflict. The Dark Knight is different. The film's victim isn't the superhero. It's Gotham. The city can either rise from it's ashes or sink back into a era of darkness. This is what is at stake. Bruce Wayne's personal issues take a back seat.
I relate The Dark Knight to No Country For Old Men. Not only is it's best action in the middle of the film, but it also really has three leads. Batman, Joker, and Harvey Dent (the least discussed yet the most important character in the movie). The cities' hope rests on Dent's shoulders. Batman fights crime behind the scenes, but Dent is the public figure everyone can get behind. In this post-Obama era, we are all more than aware of how important image is to the community and hope of the people. The influence of Harvey Dent is shown in a highly crafted scene where two boats full of people (one of citizens and one of criminals) is told they have to blow up the other in order to survive. How they react is very telling.
SPOILER ALERT: In the end, Batman catches The Joker as we all knew he would. But more important, again, is Harvey Dent. Transformed into Two-Face, he goes on a killing spree avenging the death of his fiance. Now the people already have hope. But happens when their "White Knight" goes dark? Batman agrees to become the rogue and take the heat for the murders including Dent's. That way Dent could be looked on as a martyr and the people still have something to believe in.
Now the Bad:
There are some clumsy scenes in this film that don't make any scene. Joker's escape scene for one. The Joker, surrounded by cops, has a hostage and demands to be able to make a phone call. This triggers a huge explosion in the preceint. In the aftermath, the Joker is all alone. Somehow this explosion managed to kill everyone else yet conveniently bend around the Joker leaving him unscathed?
Nit-picky yes, I admit. But it still bothered. As did Christian Bale's horrible Batman grunt. Please, anyone that was touting Bale for Best Actor, get real. I would have seriously rioted.
Also, there tended to be a sub-story that wasn't quite all the way explored. The trailer's sold the movie as Batman having to do the unthinkable in order to stop the maniacal Joker. But in the film, him tapping into people's cell phones was as bad as it got. George Bush-like, yes, but unthinkable no. However, Nolan originally did plan for the film to be a two-parter. So look for this storyline to be continued in the next installment.
CULTURAL INTROSPECTION:
For me, The Dark Knight's theme was the effect image had on the community. I feel this is interesting due to President Obama's historic win almost half a year after the film premiered. Touting phrases like "The Audacity To Hope", and "Yes We Can". His whole campaign was built on hope and faith. At a time when the country was in dire straights, this is what the people needed to hear. The tough economic climate has hit hard, but to some people, just the belief that Obama will pull them through gives them strength to hold on.
THE BLACK PERSPECTIVE:
The Dark Knight adequately displayed black people, probably better than any other superhero movie I've seen.
Morgan Freeman plays Lucius Fox, the CEO of Wanye Enterprises. Other than Alfred, he is Wayne's most trusted confident. Providing all of Batman's gadgets of being the voice of reason for the wiretapping stunt. Fox is intelligent, capable, and morale, rising above the stereotypes of most African-Americans in power.
Tiny plays a prison inmate, which would seem stereotypical at first. But when Joker serves the two ferry's the ultimatum, it is Tiny who acts and throws the detonator off the boat. This also rises above the savage-like stereotype of African-American inmates.
EXTRAS:
The Dark Knight is the second highest grossing movie of all time behind Titanic.
The Modern-Day Micheaux Podcast Series: Dwayne Buckle
Tribute To Black Actresses
The Modern-Day Micheaux Podcast Series
A monthly discussion with independent, black filmmakers. Episode 2: A discussion with Dwayne Buckle
Black Film Controversy: X-Men's Storm
Will Smith Put on Blast
Ranking System
5 Stars = Not only a great film but spoke to me in an emotional way.
4 Stars = Good film that reaches exceptional status.
3 Stars = By no means a bad film, adequate or okay.
2 Stars =Close to being up to par, but slighlty missteps.
1 Star = Bad film missing the mark completely.
5 Black Fists = Uplifts or abolishes common misconceptions of blacks. 4 Black Fists = Positive portrayals of blacks, challenging or questioning stereotypes. 3 Black Fists = Adequate portrayal of blacks or black issues. 2 Black Fists = Poor depiction of blacks often relying on stereotypes. 1 Black Fists = Poor depiction of black soley relying on stereotypes. 0 Black Fists = Universe with no black people.
"The History of Sound" Hits Highs and Lows
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by Eurocheese
*Josh O'Connor and Paul Mescal in THE HISTORY OF SOUND*
Memories, like music, can take on new meaning as we sit with them over time.*
The ...
The Perfect Find
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Enjoy these first look photos of Numa Perrier's *The Perfect Find* starring
Gabrielle Union and Keith Powers.
After a high-profile firing, Jenna's fashi...
Horror Noire at International House 2/5
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Exhumed Films and Fangoria are proudly teaming up to present the
Philadelphia premiere of an exciting new genre documentary! Produced here
in the Philadelp...
Sundance Winner and Lee Daniels Film based on the novel by Sapphire about an abused teenage girl living in Harlem. Stars Monique, Paula Patton, Lenny Kravitz, and Mariah Carey.
Funny People
Has Judd Apatow finally reached the pinnacle of his potential?
Medicine for Melancholy
A love story of bikes and one-night stands told through two African-American twenty-somethings dealing with issues of class, identity, and the evolving conundrum of being a minority in rapidly gentrifying San Francisco—a city with the smallest proportional black population of any other major American city.
The Princess & The Frog
Disney's First Animation to star African-American Characters & set in New Orleans, starring Oprah Winfrey and Dreamgirl's Anika Noni Rose
Invictus
A biopic about Nelson Mandela. Can Clint Eastwood & Morgan Freeman do it again?
Inglourious Basterds
Quentin Tarantino remake of the 1974 WW2 flick starring Brad Pitt, Mike Myers, Office's B.J. Novak, & Eli Roth
The Nine
An adapted Tony Award-winning musical about a film director and all the competing women in his life. Starring Seven Oscar Nominees/Winners (Daniel Day-Lewis, Nicole Kidman, Kate Hudson, Penelope Cruz, Marion Cotillard, Sophia Loren, Judi Dench) and Fergie
Julia & Julia
Can Amy Adams & Meryl Streep do it again? More important can writer Nora Ephron bring it with her first romantic comedy in over a decade?